<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Letter from Points West</title>
	<atom:link href="http://susanzakin.com/blog/feed" rel="self" type="application/rss+xml" />
	<link>http://susanzakin.com/blog</link>
	<description>Just another WordPress site</description>
	<lastBuildDate>Thu, 03 Jan 2013 22:29:20 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.4.2</generator>
		<item>
		<title>&#8216;Tis the Season of Our Nostalgia for Old Money</title>
		<link>http://susanzakin.com/blog/annals-new-poverty/tis-the-season-of-our-nostalgia-for-old-money</link>
		<comments>http://susanzakin.com/blog/annals-new-poverty/tis-the-season-of-our-nostalgia-for-old-money#comments</comments>
		<pubDate>Mon, 24 Dec 2012 16:53:22 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Annals of the New Poverty]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=630</guid>
		<description><![CDATA[This time of year I feel the urge to watch old black and white movies, preferably starring Jimmy Stewart. This year, It’s a Wonderful Life is too painful, a reminder of what we used to be but aren’t anymore. I prefer screwball comedies like The Philadelphia Story, with its sympathy for alcoholics and philanderers, and ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://susanzakin.com/blog/wp-content/uploads/2012/12/Annex-Hepburn-Katharine-Philadelphia-Story-The_062.jpg"><img src="http://susanzakin.com/blog/wp-content/uploads/2012/12/Annex-Hepburn-Katharine-Philadelphia-Story-The_062-300x234.jpg" alt="" title="Annex - Hepburn, Katharine (Philadelphia Story, The)_06" width="300" height="234" class="aligncenter size-medium wp-image-643" /></a></p>
<p>This time of year I feel the urge to watch old black and white movies, preferably starring Jimmy Stewart. This year, It’s a Wonderful Life is too painful, a reminder of what we used to be but aren’t anymore. I prefer screwball comedies like The Philadelphia Story, with its sympathy for alcoholics and philanderers, and schizophrenic alternation between class rage and craven worship of old money.</p>
<p>Cary Grant and Katherine Hepburn play an upper crust couple who, though divorced, still love one another. Hepburn almost, but not quite, falls for Jimmy Stewart, a writer from a modest background. Every time Hepburn waxes nostalgic about the sailboat Grant designed for their honeymoon, the True Love, she murmurs, in that wonderful Connecticut lockjaw, “My, she was yare.” This means, in boat language, fast, agile, and resilient. When she says this, my own eyes brim with tears along with hers.</p>
<p>Christmas is the season when we take stock of our collective disillusionment. The season lost its innocence in the 1970s, around the same time we did. In my Manhattan barrio, children spent the holidays being passed back and forth between divorced parents, teenage girls devoured Vogue articles about Christmas in St. Bart’s and Mustique (Mick Jagger and Princess Margaret sightings obligatory), and parents engaged in the holiday standbys of drunkenness and depression.<br />
In the 1980s, Mom and Dad settled into corporate harness, the stock market boomed, greed was good. We agonized about the commercialization of Christmas, but it didn’t stop us from buying things.</p>
<p>In retrospect, even these stirrings of disquiet seem like relics of a more innocent time. In the 2000s, “the season of giving” just adds to the overload of marketing. I’m beginning to wonder if forking over cash on “Giving Tuesday” actually makes things worse. The perfect example is a tweet I got from Rocco DiSpirito, presumably yet another celebrity chef. After announcing that 50 million Americans suffer from food insecurity, Rocco urged me to click through to a website for food donations that Bank of America will match dollar for dollar.</p>
<p>The number of ways this is wrong is so staggering that it is difficult to know where to begin. It goes without saying that I am not a subscriber to Chef Rocco’s twitter feed. More importantly, the real beneficiary of my largesse would be Bank of America. Sure, a few people might get fed, but the real benefit is to BofA’s brand, in poor repair and deservedly so: the bank is one of the worst offenders in the economic meltdown. Before the crash, Bank of America acquired Countrywide, the country’s highest-profile purveyor of subprime mortgages, as well as the venerable stock firm Merrill Lynch. The federal government sued the bank for allegedly engaging in a practice known as “the hustle,” churning out mortgages at a feverish clip without proper checks on wrongdoing. Another lawsuit alleged that the bank’s top managers lied about Merrill Lynch’s troubled financial state while in the midst of closing the deal to buy the firm.</p>
<p>The bottom line? This is the same bank that cut 30,000 jobs in 2011 and the following year rewarded CEO Brian Moynihan by quadrupling his annual pay to $8.1 million. </p>
<p>This is not Jimmy Stewart’s bank. Ironically, it started off that way: Frank Capra modeled George Bailey, the good-hearted smalltown banker played by Stewart in It’s a Wonderful Life on Bank of America founder A.P. Giannini, the self-made millionaire who was the first to offer loans to the working stiffs of America, people he believed to be generally honest.   </p>
<p>I wrote back to Rocco, telling him if Bank of America’s management really cared, they would stop laying people off.  In reality, it’s not Moynihan’s job, or yours, or mine, to (fill in the blanks): feed the hungry, buy textbooks for public schools, keep hospitals open, bankroll local arts councils, or even put up money for animal shelters.</p>
<p>We’re OK with Bon Jovi and Bruce rocking for hurricane relief, but buying into the fiction that corporations should be playing the role of government will not end well. Foundations shouldn’t be the fount of good works, either. It’s not Bill Gates’s job, or Warren Buffett’s, to decide which diseases to cure, or what kind of equipment should be in schools and libraries. Good works on a broad scale should not subject to the whims of private individuals and certainly not to the self-interest of corporate CEOs, former or otherwise.</p>
<p>Call me a grinch, but even dropping a dollar in a bucket so little Brittney can have a new kidney is a capitulation. Our good works mean there is less pressure on insurance companies to do the right thing, and on government to force them to do it &#8211; or for the government to provide health care directly to citizens, which is what Obamacare would have looked like in a sane America.</p>
<p>It wasn’t always this way. In 1988, Americans bought into the President George Bush’s exhortation, written by Craig Smith and the vile Peggy Noonan, to become volunteers, one of the “thousand points of light in a broad and peaceful sky.” Bush’s maudlin call for volunteers was the logical next step after Ronald Reagan’s deregulation of corporate America, attacks on labor unions, and cutbacks in social programs.</p>
<p>We stepped up. What else could we do? Helping others made us feel good so we kept doing it. We donated to heart disease research. We ran for the cure.</p>
<p>People kept giving, but Americans kept getting poorer. By 2011, a record number had slipped below the poverty line; 15.9 percent, totaling 48.5 million people. That’s not even counting the millions above the poverty line &#8211; $23,050 for a family of four &#8212; who are, by anyone’s standards, in deep economic trouble. As Paul Krugman recently wrote, none of the economic remedies being proposed on either side of the aisle will solve America’s real problem: mass unemployment.</p>
<p>Mitt Romney was right when he complained about the 47 percent of Americans who are dependent on government aid, even though he got the reasons wrong. Staggering under the escalating cost of living &#8211; higher college tuition, rising rents driven by the housing bust that made bankers rich &#8212; we are becoming aid junkies, just like our cousins in Africa. We have no choice. We don’t have jobs, or if we do, they don’t pay us enough for a decent life. At the same time, our defunded government is externalizing its costs, like bankrupt airlines charging $25 for a piece of luggage.</p>
<p>Reaganomics was bigger than us, and bigger than President Obama, too. He may be willing to look over the fiscal cliff, but in the name of pragmatism, he appears to have given up on passing another economic stimulus bill to create jobs.</p>
<p>I try to be a realist, too, but the culture of giving feels demeaning and hopeless. As I prepared for my first Christmas in New York for more than a decade, I found myself remembering when giving a few bucks felt real. As a girl living in Manhattan, I could tell the Christmas season was off and running when I saw a neediest case article in The New York Times. These were heartbreaking stories of people who lived beside us, but whose hardships we rarely knew about. Now, of course, those people are us.</p>
<p>The paper’s Neediest Cases Fund celebrates its centennial this year. The Fund started on Christmas Day, 1911, when publisher Adolph Ochs encountered a shabbily dressed man on the street. The man struck Ochs as a respectable fellow who was simply down on his luck. Ochs gave him a few dollars and a business card.</p>
<p>“If you’re looking for a job, come see me tomorrow,” Ochs said.</p>
<p>If that sounds like a scene from a Jimmy Stewart movie, it played out pretty much that way. The Neediest Cases articles began the following year. The Fund, which is still in existence, has raised $250 million.</p>
<p>But it’s the story of Ochs and the homeless man that makes me swallow hard this Christmas. The old story is new again, as profound as one of those Jimmy Stewart movies. Because Ochs didn’t just give the man a handout. He gave him a job.</p>
<p>My, we were yare. Weren’t we?</p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/annals-new-poverty/tis-the-season-of-our-nostalgia-for-old-money/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Day I Stopped Being an Environmental Writer (from Bill and Dave&#8217;s Cocktail Hour)</title>
		<link>http://susanzakin.com/blog/uncategorized/the-day-i-stopped-being-an-environmental-writer</link>
		<comments>http://susanzakin.com/blog/uncategorized/the-day-i-stopped-being-an-environmental-writer#comments</comments>
		<pubDate>Wed, 07 Nov 2012 21:29:11 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=577</guid>
		<description><![CDATA[&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; The day I stopped being an environmental writer, I was on a river in Madagascar. Stop.  I hate reading stories like this: the Patagonia catalog, Barry Lopez-Gretel Erlich School of Upper Middle Class Environmentalists Finding Meaning on a $10,000 Trip to a Place No ...]]></description>
			<content:encoded><![CDATA[<div id="upper_header"></div>
<div>
<div id="paper_repeat">
<div id="content">
<div>
<div>
<h4><a href="http://susanzakin.com/blog/wp-content/uploads/2012/11/Antananarivo.jpg"><img class="size-full wp-image-592 alignnnone" title="Antananarivo" src="http://susanzakin.com/blog/wp-content/uploads/2012/11/Antananarivo.jpg" alt="" width="475" height="350" /></a></h4>
<h4></h4>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div id="upper_header"></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>The day I stopped being an environmental writer, I was on a river in Madagascar.</p>
<p><em>Stop</em>.  I hate reading stories like this: the Patagonia catalog, Barry Lopez-Gretel Erlich School of Upper Middle Class Environmentalists Finding Meaning on a $10,000 Trip to a Place No Regular Person Can Afford to Travel.</p>
<p>But there I was, and I wouldn’t mind being there again.  I was in Madagascar on a fellowship that I’d applied for during a major case of burnout.  After writing my first book, I had been trying to sell the extinction crisis to New York editors for almost ten years, and my career was in the toilet.  “I don’t really like sleeping outside,” an editor at<em> The New York Times Magazine </em>confessed to me.  “But I just bought these great rock-climbing shoes – you know the ones with the sticky soles?”</p>
<p>That was the scene with magazines.  When it came to selling books, the comments usually ran like this: “Susan is clearly a talented writer.  Alas, we have never done well with environmental books.  If she could find another subject…”   (Why, I wonder, do rejections always contain the pretentious word<em>alas</em>?)</p>
<p>In desperation, I applied to a foundation that trained journalists in the developing world.  In Antananarivo, Madagascar’s capital, I learned fairly quickly that I was superfluous.  The local reporters knew what they were doing; they just weren’t allowed to do it.  The president-for-life kept a tight grip on the media and my Malagasy colleagues risked a beating or worse if they offended him.  My job was to provide moral support, and accompany them when they interviewed people.  As an American, I could intimidate their sources into talking.  I was well-suited to the job.  I rather enjoyed intimidating people, especially bad guys.</p>
<p>After a while, life felt seamless.  Antananarivo was faded elegance at its most charming, and the Malagasy people were extraordinary: warm, genuine, and precisely calibrated to nuance.  I lived in a hotel, like Eloise.  I ordered room service.  At night, I ate in the dining room, where I met dashing gem smugglers.  I became friends with one of Madagascar’s most successful businesswomen, a principled, chic, and utterly gorgeous woman who is one of my best friends to this day.  Using traditional methods of study – a French boyfriend – my language skills improved.</p>
<p><img title="0129s" src="http://billanddavescocktailhour.com/wp-content/uploads/2012/10/0129s-620x453.jpg" alt="" width="550" height="420" /></p>
<p>In Madagascar, I learned that nature and culture were not separate, one pure and the other sinful.  After seeing a rare mouse lemur in its solitary nest and, not far away, the owl that hunts it, I emerged from a spiny forest to hear the night watchman playing a delicate stringed instrument under a soapstone moon.  The music, the lemur, the predatory owl, the man and the moon; all were of a piece.</p>
<p>Like Baudelaire (“luxe, calme, et volupte…” he wrote of his time on the island) I found a better way of life in Madagascar.</p>
<p>When I accepted the fellowship, I insisted that the foundation allow me to spend two weeks on a river trip through the island’s arid southwest.  Very few people rafted the Mangoky River, but I had connected with an American river guide and his Malagasy partner, Gerard Ravoajanahary, a former World Wildlife Fund staffer.</p>
<p><img title="0132s" src="http://billanddavescocktailhour.com/wp-content/uploads/2012/10/0132s-620x482.jpg" alt="" width="540" height="410" /></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;<br />
We fell into the rhythm of the river, life measured by the slow but inexorable current — and Gerard smacking his paddle on the surface of the water.  This was necessary to frighten the crocodiles when we had to jump out of the boat to pee.  All the women wanted to be in Gerard’s boat because he was so charming, so we stopped twice as often as the other boat.  We also took longer to leave in the morning: cries of “I forgot to put on my sunscreen!” and “Wait, I need my bandanna!” were so routine that Gerard took to starting our day by saying, in mock drill sergeant tones:  “Ladies!  Arrange yourselves!”</p>
<p>In some ways, though, Madagascar’s southwest was not so different from the American southwest I had left behind.  On the remote Mangoky River, streamers of smoke accompanied us like wraiths.  The forest was burning.  We saw smoke nearly every day, sometimes more than once.  Slash and burn farming was Madagascar’s version of suburban sprawl, the final solution, napalm.  As far back as 1881, Queen Ranavalona II had banned slash-and-burn agriculture, but then as now, the warnings were ignored.</p>
<p>Smoke trailed us everywhere, but we saw very few people.  In ten days, we passed no more than a few dozen.  A lone man poled a pirogue rigged with sails made of old rice sacks that shone gold in the sun.  Naked men bathing at the shore grinned and waved at us.  We waved back, trying not to look.  We stopped at a sandy spit full of children.  I braided a little girl’s hair: she gave me her address and made me promise to send her a postcard.</p>
<p><em>The illusion is over</em>, say the Mexicans when a love affair ends.  On our next to last day, we reached the outskirts of a village.  As we slid onto the shore, we were greeted by a woman and her young son.  The woman had a pet lemur draped around her neck.  The lemur was alive, but barely.  The mangy lemur reminded me of one of the creepy-looking fur pieces worn by old ladies on the 79th Street crosstown bus when I was a kid: a fox with its jaws clamped on its own tail.</p>
<p>Maybe it was the cumulative effect.  For ten days, we had traveled a corridor of rare birds, bats, and vanilla plants.  Smoke scrolled beside us, silent but constant, a reminder that the world was closing in.  I had not exactly ignored it, merely noted its presence.</p>
<p>Now it reached me.  I had traveled around the world, and here I was, on the 79th Street bus.</p>
<p>If the ecologist Raymond Dasmann was right and World War III was industrial man’s war on nature, that particular guerre was fini.  Not for everyone.  Many people cared about nature for its own sake, whether it was beautiful or not.  These were the environmentalists of the future: people who got excited about “sustainability” or “trading pollution credits.”</p>
<p>For me, it had always been about something else.  Aesthetics, I suppose.  Transcendence, the old Emersonian saw.  That part was over.  <em>Fini</em>.</p>
<p>I left in June.  From the U.S., I followed the news of Madagascar’s contested presidential election.  A stalemate: the old president wouldn’t give up power, and the younger insurgent candidate refused to concede the election.  While they bickered, an estimated 7,000 children died because road blockades were stopping the rice harvest from reaching markets.</p>
<p>In September, the World Trade Centers fell.  Nearly three thousand people died in the attacks.</p>
<p>When I saw the profiles of the victims in <em>The New York Times</em>, I felt nothing but anger.  Not anger at Al Qaeda.  Anger at us.  Who was writing profiles of the children who died in Madagascar?  Who was talking to their families, finding out what kind of food the kids liked, whether they cared about sports, or flowers, or if one of the girls was missing a front tooth that left a gap when she smiled?</p>
<p>In the midst of the Malagasy standoff, a boatload of French mercenaries tried to invade.  I think there were 60 of them.  Brazen to the point of being comical, they were turned back before reaching shore.  I couldn’t stop thinking about the old Peter Sellers movie “The Mouse That Roared.”  When the tiny Duchy of Grand Fenwick, whose sole export was Pinot Grand Fenwick wine, was threatened by economic collapse, the country’s leaders decided to invade the United States.  Armed only with bows and arrows, they were hoping to be defeated so they could receive U.S. largesse, a la the Marshall Plan.  In a series of coincidences and misunderstandings, Grand Fenwick wins.</p>
<p>This weird childhood association led to research on mercenary soldiers, and eventually to Sierra Leone, the poster child for failed states, a country that many people feel benefited from an incursion of mercenaries in the late 1990s.</p>
<p>For the next few years, my life was steeped in magic, military coups, cannibalism.  I sold my house, and spent a month in Sierra Leone, contracting the usual <em>gringa</em> mystery disease (in my case, probably Lassa virus).  I spent three years in The University of Arizona’s MFA program in fiction, the only way I could deprogram myself from the flat narrative voice of journalism.  I workshopped my novel-in-progress with African writers at the Summer Literary Seminar in Kenya, to assuage my worries that as a non-African, I might not get it right.</p>
<p>I married a Kenyan guy, brought him to the U.S., watched him struggle, and thought more about identity.   I had felt the boundaries of my personality shifting when I lived with him in Kenya; now I wondered if it was right to force him to adapt to our cold and impersonal culture.  As I wrote my main character, a young West African army lieutenant who takes power in a military coup, and ten years later, is living a quotidian existence as a soccer dad in suburban Virginia, I asked: Who is Victor Kamara?  The warlord who stole from his people and ordered his opponents shot?  Or the husband and father with a graduate degree in peace and reconciliation studies?</p>
<p>I found the answer, the one Walt Whitman gave us:  <em>I contain multitudes.</em></p>
<p>I love writing fiction.  It’s not that I don’t care about politics anymore.  I do.  But differently.</p>
<p>Madagascar: the music, the lemurs, the bats, the moon.  Gerard doing his Johnny Hallyday imitation around the campfire.  All of you released me from the need to save the world <em>right now, right here. </em></p>
<p style="text-align: left;"> <a href="http://susanzakin.com/blog/wp-content/uploads/2012/11/0126.jpg"><img class="alignleft size-full wp-image-614" title="0126" src="http://susanzakin.com/blog/wp-content/uploads/2012/11/0126.jpg" alt="" width="424" height="584" /></a></p>
<p><em><br />
</em></p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/uncategorized/the-day-i-stopped-being-an-environmental-writer/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New York: It Can Happen Here</title>
		<link>http://susanzakin.com/blog/annals-new-poverty/new-york-it-can-happen-here</link>
		<comments>http://susanzakin.com/blog/annals-new-poverty/new-york-it-can-happen-here#comments</comments>
		<pubDate>Tue, 06 Nov 2012 16:52:12 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Annals of the New Poverty]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=557</guid>
		<description><![CDATA[As I prepared to go to New York after Hurricane Sandy, I looked for a piece I wrote for the LA Weekly when Katrina hit.  I had sworn off journalism, but found myself reading the online bulletin board on the Times-Picayune website and weeping uncontrollably, so I called my editors in Los Angeles, who were ...]]></description>
			<content:encoded><![CDATA[<p><em>As I prepared to go to New York after Hurricane Sandy, I looked for a piece I wrote for the LA Weekly when Katrina hit.  I had sworn off journalism, but found myself reading the online bulletin board on the Times-Picayune website and weeping uncontrollably, so I called my editors in Los Angeles, who were eager to hear from someone who understood something about the bayou country. Katrina, not 9/11, revealed my unconscious assumptions about American exceptionalism and promptly blew them apart.  Hurricane Sandy uncovered a city quite different from New Orleans, but revealed the same denial of the natural world that is endemic to our bustling, energetic society.  </em></p>
<p>&nbsp;</p>
<p><a href="http://susanzakin.com/blog/wp-content/uploads/2012/11/ap_hurricane_sandy_south_carolina_beach_jt_121027_wg3.jpg"><img class="aligncenter size-full wp-image-622" title="ap_hurricane_sandy_south_carolina_beach_jt_121027_wg" src="http://susanzakin.com/blog/wp-content/uploads/2012/11/ap_hurricane_sandy_south_carolina_beach_jt_121027_wg3.jpg" alt="" width="550" height="280" /></a></p>
<p>&nbsp;</p>
<p><strong>“The five hundred darkies”</strong> in this courthouse can’t be fed, and the place smells like a slaughter-pen,” the sheriff of <a title="Greenville" href="http://www.laweekly.com/related/to/Greenville/" data-omni-track="Inform-&gt;Click|keyword[Greenville]">Greenville</a>, Mississippi, reported to <a title="Will Percy" href="http://www.laweekly.com/related/to/Will+Percy/" data-omni-track="Inform-&gt;Click|keyword[Will+Percy]">Will Percy</a> during the Great Flood of 1927. When the Mississippi River flooded Greenville, the mayor put Will Percy, the 42-year-old cousin of novelist <a title="Walker Percy" href="http://www.laweekly.com/related/to/Walker+Percy/" data-omni-track="Inform-&gt;Click|keyword[Walker+Percy]">Walker Percy</a>, in charge of the <a title="Flood Relief Committee" href="http://www.laweekly.com/related/to/Flood+Relief+Committee/" data-omni-track="Inform-&gt;Click|keyword[Flood+Relief+Committee]">Flood Relief Committee</a> and the local<a title="International Federation of Red Cross and Red Crescent Societies" href="http://www.laweekly.com/related/to/International+Federation+of+Red+Cross+and+Red+Crescent+Societies/" data-omni-track="Inform-&gt;Click|keyword[International+Federation+of+Red+Cross+and+Red+Crescent+Societies]">Red Cross</a>. Percy commandeered bootleggers’ motorboats to rescue residents from their rooftops. The next order of business was confiscating every bit of food and every form of transportation to head off looting and burglary.</p>
<p>It was down-home martial law, and by Percy’s account in his 1941 book, <em>Lanterns on the Levee: Recollections of a Planter’s Son</em>, it worked. That is, except for Percy’s attempt to evacuate the African-Americans who had been pressed into service to shore up the levees, which was sabotaged by other white planters. The black laborers watched from shore as mostly empty relief boats carried 33 whites out of harm’s way.</p>
<p><em>Plus çe que la change</em>, as they say.Many people are grateful they saw New Orleans before the deluge. <a title="Pompeii" href="http://www.laweekly.com/related/to/Pompeii/" data-omni-track="Inform-&gt;Click|keyword[Pompeii]">Pompeii</a> comes to mind. I have been grateful, too, and angry, worried and unutterably sad, thinking about the time I lived half a block away from a café called Rue de la Course on Magazine Street — a coffee shop where the baristas discussed epistemology and nervous breakdowns with equal aplomb.</p>
<p>I wanted to write today about the people dying in New Orleans, and why they are dying. I wanted to write about bayous where dark eagles rise like smoke in the air and egrets circle the oil rigs as if rusted iron and slick petroleum were their natural habitat. I wanted to write about the destruction of one million acres of wetlands, first by levee construction on the Mississippi after the Great Flood of 1927, and then by the damage done when oil companies dredged canals to haul in oil from the <a title="Gulf of Mexico" href="http://www.laweekly.com/related/to/Gulf+of+Mexico/" data-omni-track="Inform-&gt;Click|keyword[Gulf+of+Mexico]">Gulf of Mexico</a>, and how all of this left New Orleans without a natural buffer that could have stopped this hurricane from killing so many people and destroying so much architecture.</p>
<p>But it’s impossible not to think about Cedric. I met Cedric at the Rue de la Course the morning after I got to town. He was sitting at one of the outside tables, a black man with a grim visage who looked one f-stop above homeless. We chatted, but I remember eyeing him cautiously and wondering if I’d ever see him again in the neighborhood, and under what circumstances.</p>
<p>About a week later, he showed up at my apartment — hired off the street by the New York mover who’d arrived with my stuff. He introduced himself and called me “Miss Susan,” which shocked me, because I wasn&#8217;t used to this Southern habit. It became quickly apparent that Cedric couldn’t read — not even the numbers on the boxes we were checking against a list. He told me, though, that he <em>could</em> read the Bible, “the whole Bible.”Someone who knew about such things told me that Cedric couldn’t actually read the Bible, but that he’d memorized it.</p>
<p>That fall, I volunteered for an adult literacy program, but the program fell apart when the Bush administration cut its funding.</p>
<p>Cedric lived a couple of blocks away. When we were done with the moving, I told him I hoped I’d see him again. I went back to the café many times after that, but I never did see Cedric.</p>
<p>The <a title="Garden District" href="http://www.laweekly.com/related/to/Garden+District/" data-omni-track="Inform-&gt;Click|keyword[Garden+District]">Garden District</a> didn’t get the worst of Katrina, so I’m hoping he’s still alive.There are a lot of stories about the administration’s refusal to adequately fund reconstruction of the levees and restore the coastal wetlands. But much human suffering also could have been avoided if the class and race divisions of New Orleans weren’t so ossified. No one is talking about this realistically or sensitively enough. Doing justice to New Orleans starts with schools. The illiteracy rate in New Orleans is between 38 percent and 60 percent. That’s roughly the same as the <a title="Sudan" href="http://www.laweekly.com/related/to/Sudan/" data-omni-track="Inform-&gt;Click|keyword[Sudan]">Sudan</a>. The oil companies say they don’t hire blacks because they’re not well-educated. If more African-Americans in Louisiana had jobs, they’d own cars. And if they owned cars, more of them would be alive today.It’s a vicious cycle. A <a title="Sierra Club" href="http://www.laweekly.com/related/to/Sierra+Club/" data-omni-track="Inform-&gt;Click|keyword[Sierra+Club]">Sierra Club</a> study showed that doing away with state tax breaks given to the petroleum industry could go a long way toward adequately funding schools in Louisiana. But oil is the state religion, and that study was submerged like so many of the bodies trapped in houses in the 9th Ward.The greatest irony of <a title="Hurricane Katrina" href="http://www.laweekly.com/related/to/Hurricane+Katrina/" data-omni-track="Inform-&gt;Click|keyword[Hurricane+Katrina]">Hurricane Katrina</a>, perhaps the only one, came when <a title="Kofi Annan" href="http://www.laweekly.com/related/to/Kofi+Annan/" data-omni-track="Inform-&gt;Click|keyword[Kofi+Annan]">Kofi Annan</a> offered flood-relief assistance to the United States as if it were a Third World country.</p>
<p>A few years ago, an environmentalist with the Coalition To Restore Coastal Louisiana managed to get an audience with a bank president named R. King Milling. This white-haired patriarch once was a successful oil and gas lawyer, and, even more notably, he’d been king of Mardi Gras. The environmentalist, a guy named <a title="Mark Davis" href="http://www.laweekly.com/related/to/Mark+Davis/" data-omni-track="Inform-&gt;Click|keyword[Mark+Davis]">Mark Davis</a>, explained to Milling that one million acres of the swamps south of New Orleans — one-fourth of the wetlands that existed before European settlement — had already been lost. Every year, 25 square miles of wetlands, an amount totaling the size of Manhattan, were dropping into the Gulf of Mexico.</p>
<p>That wasn’t good for the oil business. Thirty percent of our domestic crude oil production comes from the Gulf of Mexico, nearly all of it pushed up pipelines and canals through the coastal wetlands to <a title="Port Fourchon" href="http://www.laweekly.com/related/to/Port+Fourchon/" data-omni-track="Inform-&gt;Click|keyword[Port+Fourchon]">Port Fourchon</a>. As the wetlands falls away, pipelines are exposed to the vagaries of open water.</p>
<p>Because this was New Orleans, Milling wasn’t a nouveau riche who would simply pull up stakes and move the operation to <a title="Nigeria" href="http://www.laweekly.com/related/to/Nigeria/" data-omni-track="Inform-&gt;Click|keyword[Nigeria]">Nigeria</a>. Three years ago, Milling became chair of the Governor’s Advisory <a title="Commission on Coastal Restoration and Conservation" href="http://www.laweekly.com/related/to/Commission+on+Coastal+Restoration+and+Conservation/" data-omni-track="Inform-&gt;Click|keyword[Commission+on+Coastal+Restoration+and+Conservation]">Commission on Coastal Restoration and Conservation</a>. He rounded up his friends to support the cause of restoring the bayous. Those friends included everyone from <a title="Royal Dutch Shell plc" href="http://www.laweekly.com/related/to/Royal+Dutch+Shell+plc/" data-omni-track="Inform-&gt;Click|keyword[Royal+Dutch+Shell+plc]">Shell Oil</a> to the <a title="Tabasco Pepper Sauce" href="http://www.laweekly.com/related/to/Tabasco+Pepper+Sauce/" data-omni-track="Inform-&gt;Click|keyword[Tabasco+Pepper+Sauce]">Tabasco</a> company. With strong support from <a title="Kathleen Blanco" href="http://www.laweekly.com/related/to/Kathleen+Blanco/" data-omni-track="Inform-&gt;Click|keyword[Kathleen+Blanco]">Louisiana Governor Kathleen Babineaux Blanco</a>, they have been lobbying for federal funding to restore coastal Louisiana.</p>
<p>Restoring the wetlands of Louisiana is estimated to cost $14 billion, almost twice as much as the similar effort now under way in the Everglades.People in Louisiana have always understood the connections between the natural and the constructed world; perhaps now others may, too.</p>
<p>What made me cry when I looked at the news wasn’t coastal wetland erosion; it was the faces of people like Cedric. But restoring coastal Louisiana is as much part of the equation as reducing poverty. I remember the odd stillness of the cypress swamps, the startling sight of eagles and the ubiquity of water in Louisiana as much as I remember anything else about the place. Water is the ground you fall through here; it is everywhere, shooting past you on the causeways, surrounding you like breath.</p>
<p>Louisiana may be even richer biologically than the Everglades, which accounts for its resilience in the face of such depredation. Coastal Louisiana is first in oyster and shrimp production, and also provides one third of the nation’s fish. It’s also the country’s second largest avian flyway after the Pacific flyway.</p>
<p>Earlier this year, over the president’s protests, Congress included in an energy bill a provision that would give Louisiana about $135 million a year to restore coastal wetlands. <a title="Sidney Coffee" href="http://www.laweekly.com/related/to/Sidney+Coffee/" data-omni-track="Inform-&gt;Click|keyword[Sidney+Coffee]">Sidney Coffee</a>, the Louisiana director of the America’s Wetlands campaign and a former aide to Governor Blanco, says not only is this inadequate; it’s unfair. Louisiana’s royalties to the federal government from offshore drilling average $5 billion a year. Since the deficit-happy Reagan era, these royalties, which by law were supposed to go to the Land and Water <a title="Conservation Fund" href="http://www.laweekly.com/related/to/Conservation+Fund/" data-omni-track="Inform-&gt;Click|keyword[Conservation+Fund]">Conservation Fund</a>, have been funneled into federal general funds instead.</p>
<p>“<a title="Wyoming" href="http://www.laweekly.com/related/to/Wyoming/" data-omni-track="Inform-&gt;Click|keyword[Wyoming]">Wyoming</a> and New Mexico get 50 percent paid directly back to them on oil and gas,” said Coffee. “We want only a tiny portion of that so we can address this problem.</p>
<p>“What happens on this coast is huge,” Coffee added. “It has huge, huge implications for the rest of the nation. This isn’t just an environmental story. That’s what’s changed. This is a huge economic and security issue. You just can’t separate it anymore.”</p>
<p>This is only the beginning of a storm cycle predicted to last nearly half a century. Hurricane Katrina may not have bankrupted the entire country, but what about the next time? And the next? The Enlightenment itself began in disaster, when an earthquake decimated <a title="Lisbon" href="http://www.laweekly.com/related/to/Lisbon/" data-omni-track="Inform-&gt;Click|keyword[Lisbon]">Lisbon</a> in 1755, calling into question notions of an all-powerful god. This hurricane has stripped away our illusions, too, laying bare the bones of our affluence. Businessmen like Milling know the bill for our way of life is coming due, and they’re realistic enough to accept that it’s time to pay up — especially if most of the money comes from the federal government.</p>
<p>“Nature Bats Last,” reads a radical-environmentalist bumper sticker. It did, and New Orleans lost. The winds changed, as <a title="Randy Newman" href="http://www.laweekly.com/related/to/Randy+Newman/" data-omni-track="Inform-&gt;Click|keyword[Randy+Newman]">Randy Newman</a> wrote in “Louisiana 1927,” one of his many prescient songs about America, and one can only hope they will again, before the waters come back to haunt us.</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/annals-new-poverty/new-york-it-can-happen-here/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Lonely Convert to Civility</title>
		<link>http://susanzakin.com/blog/uncategorized/a-convert-to-civility</link>
		<comments>http://susanzakin.com/blog/uncategorized/a-convert-to-civility#comments</comments>
		<pubDate>Mon, 24 Sep 2012 06:01:19 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=467</guid>
		<description><![CDATA[Author&#8217;s Note:  I thought this oped was the blandest thing I&#8217;d ever written, but when it was published in the Arizona Daily Star, it received 90 comments.  Most attacked me because 1) I was in Starbuck&#8217;s and therefore &#8220;part of the 1 percent&#8221; (full disclosure: I had actually come to buy a bagel at Einstein&#8217;s, ...]]></description>
			<content:encoded><![CDATA[<p><em>Author&#8217;s Note:  I thought this oped was the blandest thing I&#8217;d ever written, but when it was published in the Arizona Daily Star, it received 90 comments.  Most attacked me because 1) I was in Starbuck&#8217;s and therefore &#8220;part of the 1 percent&#8221; (full disclosure: I had actually come to buy a bagel at Einstein&#8217;s, but they share a space, and I only wish I were a 1-percenter); and 2) I didn&#8217;t believe in freedom of speech (I do; that&#8217;s the whole point), and 3) that I felt sad about Gabby Giffords&#8217; shooting, so I guess that made me one of those despised &#8220;liberals.&#8221;  Oh, yes, and for stereotyping young men in heavy metal T-shirts.  The most disturbing thing was that one of them found an old address of mine from a CV that I&#8217;d forgotten was on the Internet and published it in the Star&#8217;s comments section.  I had to make a frantic Sunday night call to a friend who works at the paper to get it removed.  I hope the people living in that apartment don&#8217;t receive any unwanted visitors.</em></p>
<p><em>This was a wake-up call to me about the anger that&#8217;s out there, and I believe it&#8217;s directly related to Arizona&#8217;s dire economic circumstances.  I send my appreciation to the many good people who are struggling in this economy.  I see you every day.   I&#8217;m one of you.  This strengthened my resolve to document your stories in the series Annals of the New Poverty.</em></p>
<p>I was sitting at a Starbucks in Tucson when suddenly I felt my heart beating faster than normal. It wasn&#8217;t the caffeine. I had looked up from my iPhone and noticed two young men with buzz cuts, heavy-metal T-shirts, and backpacks. Something about their posture, slouching but with a coiled energy, made me think they were angry. I wondered what was in their backpacks. I wondered if I was safe.</p>
<p>I had worried about getting mugged or having my house broken into, but I had never before worried about a random act of violence. Like many Tucsonans, I cried when former Congresswoman Gabrielle Giffords walked onto the stage at the Democratic convention last month. I hadn&#8217;t expected to. I thought I had gotten over the shock that followed her shooting by a young man whose alienation made him blind to the humanity of others. But I hadn&#8217;t, and I suspect that we &#8211; not only people in Tucson, but also people throughout America -continue to wonder about the nexus of politics, stress and the human soul.</p>
<p>If anything good comes out of the events of Jan. 8, 2011, it will be the discussion of civility. Initially, I&#8217;ll admit I was dubious. As a reporter, I&#8217;ve been subjected to years of carefully crafted sound bites designed to gloss over the truth, or subvert it. I enjoy watching Bill Maher, and I doubted that civility was the first word that would come to anyone&#8217;s mind about his barbed commentaries, or, frankly, mine, especially when I was in my roaring 20s (and 30s). I thought of civility as ladies drinking tea and making small talk.</p>
<p>After I watched both political conventions, and saw the news that followed them, particularly the riots and murder in Libya over two culture&#8217;s vastly different ideas about reverence and free speech, finding a definition of civility began to seem important.</p>
<p>The root of the word civility is the Greek word civis, the city.  According to P.M. Forni, a professor of Italian literature at Johns Hopkins University, and founder of the Civility Project:</p>
<blockquote>
<div>
<div>
<div>
<blockquote>
<div>
<div>
<div>
<blockquote>
<div>
<div>
<div>
<blockquote>
<div>
<p>The etymology of &#8216;civility&#8217; rests in one of the Latin words for &#8216;city&#8217; &#8212; not the city of mortar and stone but the city of flesh and blood, the body politic, the state, the community. The word is &#8216;civitas,&#8217; which is the same word that gives us &#8216;civilization.&#8217;</p>
</div>
</blockquote>
</div>
</div>
</div>
</blockquote>
</div>
</div>
</div>
</blockquote>
</div>
</div>
</div>
</blockquote>
<p>In the 14th century, the word civility became more individualized, taking on the meaning &#8220;status of a citizen.&#8221; Civil behavior was understood as that which is proper to a citizen.</p>
<p>The Founding Fathers drew on historic notions of civility. While most of these men were well-read in the classics, there were also lessons early in life. By age 16, George Washington had copied by hand, &#8220;110 Rules of Civility &amp; Decent Behavior in Company and Conversation,&#8221; a set of dos and don&#8217;ts based on rules inscribed by French Jesuits in 1595. The rules range from the trivial &#8211; exhortations not to spit in the fire &#8211; to the profound: &#8220;Every Action done in Company, ought to be with Some Sign of Respect, to those that are Present.&#8221;</p>
<p>The rules so laboriously copied by Washington have a common theme: acknowledging the humanity of others. But when you don&#8217;t see someone&#8217;s face, that&#8217;s harder to do. The Internet has connected us in ways that seem almost miraculous. People in Mali, or Syria, or New Orleans tells us when a famine or war or natural disaster is occurring. They can even give us map coordinates to tell us where help is needed most. We raise funds for hungry people, or sick children, or presidential elections. But the ease and impersonality of online life has its pitfalls: we can get addicted to pornography, gambling, or, in my case, real estate listings. We&#8217;ve all sent those inflammatory, late night emails and regretted it later.</p>
<p>If civility is going to be reintroduced to the public sphere, it is first necessary to be clear on what it isn&#8217;t. Civility is not blandness, sound-bite journalism, or Orwellian double speak. Civility is, in fact, the antidote to those things. In his book, &#8220;Civility: A Cultural History,&#8221; Canadian sociology professor Benet Davetian defines civility as trust in the social bonds that connect us, no matter how rugged our individualism. That trust is based on a reasonable amount of confidence that our actions are congruent with our stated beliefs.</p>
<p>I wonder sometimes if the eruptions of incivility &#8211; former GE head Jack Welch&#8217;s remark that his successor Jeff Immelt was &#8220;getting his ass kicked,&#8221; Yahoo bureau chief David Chalian&#8217;s overheard remarks at the Republican convention (&#8220;They&#8217;re happy to have a party with black people drowning!&#8221;), even Howard Dean&#8217;s ill-fated rebel yell in the 2004 election &#8211; are, in part, a reaction to the tightly controlled, manipulative, and at times, utterly dishonest discourse of contemporary American politics.</p>
<p>Civility requires a commitment to truth, as well as compassion. Like a dysfunctional family, a society that fosters disingenuousness and punishes directness will not be able to make good decisions, or move toward a productive future. As Thomas Jefferson said, in his famous quote on freedom of speech, &#8220;Error of opinion may be tolerated where reason is left free to combat it.&#8221; But Jefferson never watched television advertising, and the public relations industry had not been invented in 1789. Even Jefferson couldn&#8217;t anticipate how powerless reason becomes in the face of relentless emotional appeals and psychological manipulation.</p>
<p>In the United States, thankfully, we still have the right to free speech. But in practice, neither free speech nor civility is simple. If you want proof, look at the reason Standard &amp; Poor&#8217;s and Moody&#8217;s are skeptical about U.S. bonds: political gridlock. The true challenge of the 21st century may not be rebuilding our economy &#8211; that&#8217;s the kind of thing we&#8217;ve always been good at &#8211; but rebuilding the way we talk to each other.</p>
<div></div>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/uncategorized/a-convert-to-civility/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Way We Live Now</title>
		<link>http://susanzakin.com/blog/annals-new-poverty/feral-children</link>
		<comments>http://susanzakin.com/blog/annals-new-poverty/feral-children#comments</comments>
		<pubDate>Fri, 07 Sep 2012 00:48:22 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Annals of the New Poverty]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=366</guid>
		<description><![CDATA[When I was fourteen, my cousin, who had moved in with us after her mother died, went away to college. I used to sneak her purple and yellow striped rugby shirt from London out of her remaining dresser drawer and wear it sometimes. I always carefully washed it and folded it before I slipped it ...]]></description>
			<content:encoded><![CDATA[<p>When I was fourteen, my cousin, who had moved in with us after her mother died, went away to college. I used to sneak her purple and yellow striped rugby shirt from London out of her remaining dresser drawer and wear it sometimes. I always carefully washed it and folded it before I slipped it back into the dresser. “Roger Daltrey wore the same shirt,” she had boasted. How could I resist?</p>
<p>One day I wore the shirt to the Museum of Modern Art. A guy with very open and intense brown eyes and a halo of longish, wiry hair stared at me, and smiled. Even at fourteen, I knew what that smile meant. I hadn’t gotten many of them yet, and that particular man’s smile, the frank, unmediated pleasure in it, felt like standing in a lightning storm with a kite.</p>
<p>It was Abbie Hoffman.</p>
<p>A decade later, I was in the audience at Columbia University when a burned out Abbie Hoffman, his face almost unrecognizable from the plastic surgery he&#8217;d gotten when he was on the run from a cocaine bust, told us he’d changed his mind.</p>
<p>“Remember how we used to say, ‘Don’t trust anyone over thirty?’” he asked. “Now I say: Don’t trust anyone under thirty.”</p>
<p>I was nearing twenty-five, still young enough to be righteous, and righteously pissed off. Disappointed, too, and that was worse. Women don’t like being disappointed in men, and we definitely don’t want to be disappointed in the author of Steal This Book and Revolution for the Hell of It. We don’t want to hear the bitterness. Not when we’re twenty-five.</p>
<p>Only now I’m feeling the same way. I just had coffee with a friend of mine, a professor of creative writing. We talked about one of our mutual friends, another woman who writes both fiction and non-fiction that draws on her experience as a former heroin addict, and the warmth she’s felt from husband’s Latino family. For twenty years, she’s been doing heavy lifting, in the academic sense, teaching composition to undergraduates at the university where we all have either studied or taught. She was turned down recently for a creative writing job in favor of a trendier writer.</p>
<p>“She earned that job,” I said.</p>
<p>“I know,” my friend said. “I wanted her. But the younger professors&#8230;.”</p>
<p>She shook her head.</p>
<p>As Naomi Klein recently told Bill Moyers, when people are worried about basic necessities, like health, education, even shelter, it&#8217;s difficult to have compassion.  </p>
<p>“It’s good for the department,” I’m sure the young professors said as they rejected our friend.</p>
<p>We decry corporations for throwing employees out of work, but I wonder if people who came of age during the Wall Street go-go years have unconsciously replicated that heartless ethos. Have we forgotten how to reward someone’s service, value their kindness to students, their warm relationships with colleagues? It&#8217;s been at least twenty years since magazines published stories because of their intrinsic value to society.  If there&#8217;s a serious point to a story, you usually have to sneak it in, like a parent putting cold medicine into peanut butter for a recalcitrant child.</p>
<p>What, exactly, is our definition of friendship? In a recent column for <em>Real Simple</em>, the magazine that makes people feel good about consumerism, etiquette columnist Michelle Slatalla advised readers about how to handle the situation when a friend is &#8220;oversharing&#8221; about debts or money troubles.</p>
<p>&#8220;Say, &#8216;I&#8217;m sorry you&#8217;re going through hard times.  If you need advice, I&#8217;d be happy to help you find a professional money advisor.&#8217;&#8221;</p>
<p>All I can say is that I&#8217;m happy that Michelle Slatalla is no friend of mine.  Someone who <em>is</em> a friend, a female political consultant who&#8217;s out of work herself, recently sent money to a friend of hers &#8211; a writer in L.A. who needed an infusion of cash to pay her rent.</p>
<p>Doesn&#8217;t that sound more like friendship?</p>
<p>In the recent film <em>Cosmopolis</em>, based on a Don DeLillo novel, time is speeded up until it is a glittering machine of death, not unlike the protagonist&#8217;s stretch limo. (The young master of the universe is played by Robert Pattinson, an inspired choice.)  We live so far beyond the Industrial Revolution&#8217;s clock time I wonder if we are, for all intents and purposes no longer human, not unlike the sleek vampire played by Pattinson in the Twilight movies.  If we stay busy enough, perhaps we can convince ourselves that nothing has changed.  </p>
<p>In poorer countries, where people often lack faith in institutions, they depend on one another.  Here in the U.S., our belief in self-reliance may prevent us from establishing that kind of informal economy, so more and more people will have nowhere to turn.</p>
<p>I understand Abbie Hoffman’s bitterness, and his decline. I hate to bring them down, these children of the 80s and 90s, adults now, handsome, intelligent, so sharp and ironic. You were all born waayyyy after the cutoff date for Social Security and Medicare going broke, I want to say. What was that old Hollywood maxim my mother used to rattle off in her show biz fag hag days in the 70s? Something about being nice to people on your way up, because you’ll be seeing them again on your way down?</p>
<p>But I don’t. I don’t. Let Abbie rest, I tell myself. Take a breath. He’s dead. You’re still alive. You’re still here, in this world, the way we live now.</p>
<p><a href="http://susanzakin.com/blog/wp-content/uploads/2012/09/06222005-abbieflagshirt2.jpg"><img class="aligncenter size-full wp-image-371" title="06222005-abbieflagshirt" src="http://susanzakin.com/blog/wp-content/uploads/2012/09/06222005-abbieflagshirt2.jpg" alt="" width="200" height="280" /></a></p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/annals-new-poverty/feral-children/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Don&#8217;t Make Me Laugh</title>
		<link>http://susanzakin.com/blog/uncategorized/dont-make-me-laugh</link>
		<comments>http://susanzakin.com/blog/uncategorized/dont-make-me-laugh#comments</comments>
		<pubDate>Mon, 03 Sep 2012 15:37:10 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=351</guid>
		<description><![CDATA[The recent flap over a rather tasteless crack by Yahoo bureau chief David Chalian at the Republican convention instigated a familiar outcry.  Chalian, who was unaware that a mike was in his vicinity, remarked that the Romneys couldn’t care less about the toll of Hurricane Isaac.  “They’re happy to have a party with black people ...]]></description>
			<content:encoded><![CDATA[<p>The recent flap over a rather tasteless crack by Yahoo bureau chief David Chalian at the Republican convention instigated a familiar outcry.  Chalian, who was unaware that a mike was in his vicinity, remarked that the Romneys couldn’t care less about the toll of Hurricane Isaac.  “They’re happy to have a party with black people drowning,” Chalian said.</p>
<p>&nbsp; <iframe width="560" height="315" src="http://www.youtube.com/embed/pdwMh2vqSHY" frameborder="0" allowfullscreen></iframe></p>
<p>Oops.  Yahoo fired Chalian, and media types were regaled with the usual salvos of self-righteousness from our colleagues.</p>
<p>The only thing that’s truly notable about this incident is how swiftly and self-righteously Americans punish anyone for speech that falls outside the boundaries of bland, pre-packaged sound bites.  Whether it’s Howard Dean’s rebel yell, or Barack Obama saying “When you spread the wealth around, it’s good for everybody” (as if that’s somehow an ignoble sentiment) the nation reacts swiftly to anyone who might dare to actually&#8230;.tell the truth.  And the truth is often best expressed by satire, as Jonathan Swift knew.  That lesson never made it across the Atlantic, apparently; instead we got Rupert Murdoch.</p>
<p>The real outrage is the self-referential superficiality of the media.  Compare Chalian’s comment to this remark by a well-coiffed CNN commentator:  “That’s great TV.”</p>
<p>This is Journalism 2012.  The problem is that the comment scans for most TV-watchers as an endorsement of the Republicans.  Great TV.  What higher compliment is there, after all?</p>
<p>I’m not saying that Chalian shouldn’t have been reprimanded for getting a little overexcited and forgetting that he might be overheard.  But reporters are supposed to be advocates for the people who get a raw deal.  The way things are now, if you&#8217;re not outraged, you shouldn&#8217;t be doing the job.  I wonder at the comments like this one, from an editor friend who runs a decent but decidedly non-controversial publication in Washington DC:</p>
<p>“He should apologize to the American public, which already holds journalists in such low esteem.”</p>
<p>Really?  Journalists have a lot to apologize for, but Chalian’s remark strikes me as pretty low on the list.  People disenchanted with journalists because they perceive that we’re dishonest.  They’re right.  The tsunami of coverage emanating from the Republican convention is white noise at best, and destructive idiocy at worst.</p>
<p>What emerges from the yada yada yada are the powerful images of people whose homes were destroyed by Hurricane Isaac &#8211; and yes, many of them did seem to be black, what a surprise &#8212; juxtaposed with the chirpy coverage of the convention.</p>
<p>It’s time to stop pretending that anything is “objective.”  The American public knows better.  The only ones still in denial are reporters.  It&#8217;s time to stop giving journalists a pass on analytical thinking.  Chalian’s pointed remark will live on as a meme long after the unmemorable remarks by his colleagues who still have their jobs.</p>
<p>Onward to the Democrats.</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/uncategorized/dont-make-me-laugh/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Reverb City: Everything Old is New Again in Ward Just&#8217;s 1978 Novel About a Newspaper Dynasty</title>
		<link>http://susanzakin.com/blog/uncategorized/reverb-city-everything-old-is-new-again-in-ward-justs-1978-novel-about-a-newspaper-dynasty</link>
		<comments>http://susanzakin.com/blog/uncategorized/reverb-city-everything-old-is-new-again-in-ward-justs-1978-novel-about-a-newspaper-dynasty#comments</comments>
		<pubDate>Fri, 15 Jun 2012 01:28:36 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=338</guid>
		<description><![CDATA[  I am convinced that Ward Just is God: all-seeing, all-knowing, or at least brilliant, not to mention prescient.  Contemporary reverbs galore in A Family Trust, a 1978 novel about the pillaging of small town America by developers and the passing of the newspaper industry. Thinking of the Drudge Report while reading the old man ...]]></description>
			<content:encoded><![CDATA[<div>
<p> <a href="http://susanzakin.com/blog/wp-content/uploads/2012/06/n3002031.jpg"><img class="aligncenter" title="n300203" src="http://susanzakin.com/blog/wp-content/uploads/2012/06/n3002031-190x300.jpg" alt="" width="190" height="300" /></a></p>
<p>I am convinced that Ward Just is God: all-seeing, all-knowing, or at least brilliant, not to mention prescient.  Contemporary reverbs galore in <em>A Family Trust,</em> a 1978 novel about the pillaging of small town America by developers and the passing of the newspaper industry.</p>
<p>Thinking of the Drudge Report while reading the old man editor and publisher&#8217;s dismay at TV: &#8220;Unedited news was a calamity, for without editing a reader had no context by which to judge it, and no means of knowing its truth of falsehood or durability. An unedited newspaper was a delusion, a carnival sideshow of freaks and shell games, all of it chaotic and hysterical.&#8221;</p>
<p>But the passage I love most is this one:</p>
<p>&#8220;She believed that books were noble, even imperfect books. They disclosed what they had to disclose, at cost and at pain. The more the cost and greater the pain the finer the book.  She believed it as an article of faith: <em>nothing should be withheld.&#8221;</em></p>
</div>
<p>&nbsp;</p>
<div></div>
<div><a href="http://susanzakin.com/blog/wp-content/uploads/2012/06/n3002031.jpg"><br />
</a></div>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/uncategorized/reverb-city-everything-old-is-new-again-in-ward-justs-1978-novel-about-a-newspaper-dynasty/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shame on Us: We&#8217;re All Economists Now</title>
		<link>http://susanzakin.com/blog/annals-new-poverty/shame-on-us-were-all-economists-now</link>
		<comments>http://susanzakin.com/blog/annals-new-poverty/shame-on-us-were-all-economists-now#comments</comments>
		<pubDate>Wed, 09 May 2012 18:53:05 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Annals of the New Poverty]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=314</guid>
		<description><![CDATA[But the art business had come to disgust him. Later he would remember with a shudder “the nervous anxiety of the bidder’s face...]]></description>
			<content:encoded><![CDATA[<p>When I was in college, economics was a major for uninspired boys from good families who planned to transfer their drug dealing skills to Wall Street.</p>
<p>But we’re all economists now, whether we like it or not.</p>
<p>I recently got a facial &#8211; OK, you can scoff, but I’d waited months to make the appointment, until a much-anticipated chunk’o’cash came my way.  I could have used a full-tilt vacation, but instead I went to see Lisa, a cool, rock-climbing esthetician.</p>
<p>I hadn’t seen Lisa in several years.  She always struck me as  tough-minded, but this time she seemed subdued.  She’s gone back to school to study to be a pharmacy tech, because as a self-employed woman over fifty (still drop dead gorgeous, of course) she can no longer afford to pay for health insurance.  As we chatted after the treatment, she talked about a friend who has backed off, and Lisa thinks it’s because of the “marginal” lives she and her boyfriend lead.</p>
<p>Marginal?  Lisa has owned her own home for years, and her boyfriend just graduated from a master’s program in landscape architecture.</p>
<p>The gap between the rich and the rest of us is an abstract concept but the small, shaming moments it creates are real and concrete.  I feel them, too.  As a working writer, I’ve always had financial ups and downs.  But now, because of the rising cost of living, tight credit, and flat pay, there are many things that I cannot do: buy a house, for instance, even though I&#8217;ve owned several.  Travel to New York &#8211; unless, maybe, I can crash on a friend&#8217;s couch.  Live in San Francisco.</p>
<p>Feel hopeful about the future.</p>
<p>We constantly see people with enviable lives, so why aren&#8217;t we among them?  Lisa&#8217;s  job keeps her in contact with the 1 percent of wealthy people in the U.S., and, as economist Robert Frank has told us, feeling rich or poor depends on your social context.  But the reality is that the lives of Lisa, and me, and many other people, have become circumscribed &#8211; and, quite frankly, frightening.  The legacy of our era may be the shame many of us feel as we drop precipitously from the middle class to genuine poverty.   Where will all that shame and fear lead us?  Political instability?  Violence?  Paul Krugman, our Nobel Prize-winning economist rock star, has suggested as much.</p>
<p>No wonder so many students are majoring in economics.  The number has been going up since the early 90s.  The most dramatic increase came after the economy nosedived: since 2007, the proportion of economics majors rose 18 percent, according to the National Center for Education Statistics.</p>
<p>We&#8217;re trying to figure out what hit us.  But is it naive to hope that, even in crass, materialistic America, we might return to a time when we can think about things other than money?  Maybe just a little?  Must I spend quite so many of my waking hours doing arithmetic in my head?</p>
<p><em>Welfare queen</em>, I mutter to myself under my breath.  I&#8217;m putting off getting a crown and fixing my car, but I get a cheap thrill from spending $40 on Touche Eclat to cover the dark circles under my eyes from waking up in the middle of the night worrying that I&#8217;ll get cancer and my sketchy health insurance won&#8217;t cover my treatment.  Good quality makeup and recalling the reckless panache of Yves St. Laurent lets me feel, for a few seconds, the rush of unearned power and invulnerability that come with knowing that you are one of <em>them</em>.  The rich.</p>
<p>I ran across a quote from Bruce Chatwin explaining why he could no longer bear to sell art at Sotheby’s.  Why do such laudable sentiments seem dated, even to me?  I long to escape from my time, and sometimes, my own sensibility, which seems too firmly attached to the present circumstances.</p>
<p><em>But the art business had come to disgust him. Later he would remember with a shudder “the nervous anxiety of the bidder’s face as he or she waits to see if she can afford to take some desirable thing home to play with. Like old men in nightclubs deciding whether they can really afford to pay that much for a whore.”</em></p>
<p><a href="http://susanzakin.com/blog/wp-content/uploads/2012/05/fassbender-shame.jpg"><img class="aligncenter size-full wp-image-315" title="fassbender-shame" src="http://susanzakin.com/blog/wp-content/uploads/2012/05/fassbender-shame.jpg" alt="" width="465" height="322" /></a></p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/annals-new-poverty/shame-on-us-were-all-economists-now/feed</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>To Believe in Spring, Listen to Bill Evans</title>
		<link>http://susanzakin.com/blog/uncategorized/to-believe-in-spring-listen-to-bill-evans</link>
		<comments>http://susanzakin.com/blog/uncategorized/to-believe-in-spring-listen-to-bill-evans#comments</comments>
		<pubDate>Wed, 25 Jan 2012 22:38:12 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://susanzakin.com/blog/?p=288</guid>
		<description><![CDATA[After spending a restorative but freezing two nights in a friend&#8217;s uninsulated cabin in the Chiricauhua Mountains, I wrote to my friend, telling him I&#8217;d be back, but not until April, and ended up confiding about problems I&#8217;d been having with someone very close to me.  &#8221;It will all be better in the spring, one ...]]></description>
			<content:encoded><![CDATA[<p>After spending a restorative but freezing two nights in a friend&#8217;s uninsulated cabin in the Chiricauhua Mountains, I wrote to my friend, telling him I&#8217;d be back, but not until April, and ended up confiding about problems I&#8217;d been having with someone very close to me.  &#8221;It will all be better in the spring, one way or another,&#8221; I wrote in a dolorous email.</p>
<p><em>you must believe in spring said bill evans</em>, he wrote.  <em>now i worry that spring and summer brings fires and winter is a break&#8230; got that cabin built and the mountains burnt and my sense of what an &#8220;escape&#8221; is has changed</em>  <em>but the illusion is still there&#8230;.</em></p>
<p><a href="http://susanzakin.com/blog/wp-content/uploads/2012/01/1.gif"><img class="aligncenter" title="1" src="http://susanzakin.com/blog/wp-content/uploads/2012/01/1.gif" alt="" width="401" height="323" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>It was a beautiful email, and even more beautiful is the recording of Bill Evans&#8217; song You Must Believe in Spring.  I&#8217;d forgotten how odd and sensitive Evans&#8217;s music is, and the song reminded me that great art must contain paradox.  Thesis and antithesis.  The song is full of grief and loss, full of winter, yet it also has that flicking pulse of life, of spring, sometimes in the same note.</p>
<p>I&#8217;ve learned it in quotidian ways, and in romantic ones, how much better to grieve than to hang on.  I&#8217;ve learned it the hard way, too many times.</p>
<p>From what I know about him, Evans did, too.</p>
<p>&nbsp;</p>
<p><iframe width="500" height="375" src="http://www.youtube.com/embed/FTlKzkdtW9I?fs=1&#038;feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p><a href="http://susanzakin.com/blog/wp-content/uploads/2012/01/1.gif"><br />
</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/uncategorized/to-believe-in-spring-listen-to-bill-evans/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Is Nothing Sacred?  Carolyn Cooke Storms the Last Bastion of Male Power.  (Prep School.)</title>
		<link>http://susanzakin.com/blog/uncategorized/is-nothing-sacred-carolyn-cooke-storms-the-last-bastion-of-male-power-prep-school</link>
		<comments>http://susanzakin.com/blog/uncategorized/is-nothing-sacred-carolyn-cooke-storms-the-last-bastion-of-male-power-prep-school#comments</comments>
		<pubDate>Thu, 29 Dec 2011 22:04:39 +0000</pubDate>
		<dc:creator>Susan Zakin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://letterfrompointswest.com/?p=193</guid>
		<description><![CDATA[originally published in The Rumpus In Carolyn Cooke&#8217;s recent novel, Daughters of the Revolution, Cooke has set the mark of her anger, along with her exquisite sentences, on the ultimate crucible of American male power: prep school. Given the sensitivity of the subject – still – perhaps it is not surprising that the book drew ...]]></description>
			<content:encoded><![CDATA[<p><em>originally published in The Rumpus</em></p>
<p>In Carolyn Cooke&#8217;s recent novel, <em>Daughters of the Revolution, </em>Cooke has set the mark of her anger, along with her exquisite sentences, on the ultimate crucible of American male power: prep school. Given the sensitivity of the subject – still – perhaps it is not surprising that the book drew strong reactions from critical circles. In <em>The San Francisco Chronicle</em>, Susanna Sonnenberg literally ordered people to read <em>Daughters of the Revolution</em>, calling it “ferocious” and “astonishing.” Cooke, she wrote, “can reinvent the known with imagery so fine and excruciating it feels like a dare.”</p>
<p>But Jonathan Yardley of <em>The Washington Post</em> blasted Cooke’s novel, comparing it unfavorably to the 1964 Louis Auchincloss novel <em>The Rector of Justin</em>, and accusing Cooke of ham-fisted political correctness.  Without dismissing Yardley’s criticisms, it is worthwhile to note that he is the son of an Episcopal headmaster.  For Yardley, Cooke may not have hit the bulls-eye, but she clearly hit a nerve.</p>
<p>The novel’s inciting incident is an early 1960s boating accident that kills a young father while sparing his wealthy companion. The dead man’s daughter is the book’s sole first-person narrator and her life the tidal bore where the old order both embraces and resists the new.  Although the novel’s action spans decades, it never reaches beyond the geographic confines of New England and New York. Yet <em>Daughters of the Revolution’s</em> epiphanic ending calls down all the tragedy of the North and South. We recently spoke at her home in northern California.</p>
<p><strong>***</strong></p>
<p><strong>The Rumpus: </strong>When I read your short story collection, <em>The Bostons</em>, I had a sensory hit of New England: the old floorboards, the smell of summer. But you’ve been living on the north coast of California for quite a while now. Is California culture where the novel’s surreal sensibility comes from?</p>
<p><strong>Carolyn Cooke:</strong> I think Hawthorne is pretty surreal. Most New England writers are echoing a little bit of Hawthorne’s surrealism. Someone called my book an example of hysterical realism. He cited me along with Zadie Smith and some other writers I really respect.  It was a negative review, but great company.  I understand the impulse to not be a realist. I don’t think I am fundamentally a realist even though I’m interested in reality. I’m interested in texture, I’m interested in commentary, I’m interested in the meta story. I think realism can be tedious. I’ m not interested in writing it.</p>
<p><strong>Rumpus:</strong> It’s laborious.</p>
<p><strong>Cooke:</strong> I have a hard time having characters pour milk in their coffee. I’m pleased when people say that the book is not quite in a realist tradition.</p>
<p><strong>Rumpus: </strong>In terms of place, Boston is the epicenter of the American class system, isn’t it? Louis Auchincloss and Ward Just, among others, were categorical in their descriptions of Boston.</p>
<p><strong>Cooke:</strong> It used to be. That was one of the differences I noticed when I came to California. In New England, it was so hard to move beyond cultural assumptions that people made because you were black, or you were a woman, or you lived in a certain neighborhood or you were poor.</p>
<p><strong>Rumpus:</strong> And you were poor.</p>
<p><strong>Cooke:</strong> (hesitates) My mother and I were poor, yeah. She was a substitute teacher for most of my childhood. A single parent.</p>
<p><strong>Rumpus:</strong> Where did you live?</p>
<p><strong>Cooke:</strong> We lived in a number of places. We sometimes housesat for people. We lived in Newton, Massachusetts most of the time when I was very young. When I was 10 we moved to Bar Harbor, Maine. My mother’s father was a Swedish immigrant who built houses there. He built her a house based on a design she made in a home ec class in eighth grade. She still lives there. It’s a fabulous house. It has a tower. It’s very whimsical.</p>
<p><strong>Rumpus:</strong> <em>Daughters of the Revolution</em> focuses on a specific period of time in a specific place, when New England prep schools were taking cautious steps toward integration and co-education.  Around the same time, Boston was in the throes of a violent controversy over school busing.  The violence in South Boston happened after your moved to Maine, wasn’t it?</p>
<p><strong>Cooke:</strong> Yes, but I was aware of it. Initially I wanted to write a book about busing.</p>
<p><strong>Rumpus:</strong> I can see how that idea morphed into Carole, the African-American girl who is admitted to the boys’ prep school by mistake.  It’s remarkable how much the discussion of school integration has changed, isn’t it?  We seem to have given up on integration in the schools.  Now we talk about identity, which is fine, but I wonder if the price we pay is further fragmentation of the polity, and perhaps misses the larger issue of inequality.  Class is certainly one of your major concerns.  Do you think an obsession with race can blind us to issues of class? Is there a vacuum in the arts and the national debate when it comes to class?</p>
<p><strong>Cooke:</strong> I’m really disturbed by the increasing emphasis at elite schools and elsewhere on meritocracy. “Merit” means the kids whose parents are wealthy enough to get them the preparation they need to get into those schools. You look at the Ivy League colleges, which are so racially and ethnically diverse, and yet so filled with wealthy, privileged kids from all over the world. It’s also true at the California state schools, increasingly, as the tuition goes up. I’m fearful of a world that loves those who have merit and ignores those who don’t.</p>
<p><strong>Rumpus:</strong> What’s the index of “merit”?</p>
<p><strong>Cooke:</strong> Right, right. There’s a phenomenon of what my friend David Rothkopf calls the super class, and it’s international. This is who rules the world. They’re all colors and all creeds and it’s just as egalitarian as it could be, except they’re all the super people, the people who make the decisions, who run the corporations, who create the culture, who hold the money. The issue is no longer “Are people treated equally because of their background?” The issue is that most people aren’t treated equally and only a few people are.</p>
<p><strong>Rumpus:</strong> The intensity of that comes through at the ending of your book. I was so angry after I finished that book, I was a total bitch for three days.</p>
<p><strong>Cooke: </strong>Why, thank you! (laughs)</p>
<p><strong>Rumpus:</strong> (laughs) The ending of the book, to me, was about global inequality. I don’t know if that was what you intended. This isn’t an historical book, it’s not a curiosity, it’s not limited to the 60s and 70s, or drawing a self-conscious parallel between an earlier time and ours. The surreal aspects of the book gave it a larger scope, I thought, without confusing the reader. Were you thinking about these larger kinds of inequality or was I projecting?</p>
<p><strong>Cooke:</strong> We all have a different lens, or several lenses. You’ve spent a lot of time looking at the world through the lens of the environment and your life in Africa. How does the environment get affected in a poor country? A colonized country? I’ve always seen the world through the lens of class.</p>
<p><strong>Rumpus:</strong> My lens also tends to be political. The political novel got a bad rap for a few years.  Political novels were considered automatically didactic or second-rate literature.  But I wonder if there’s a new urgency now, with two wars going on and economic hard times that wasn’t there before.  Perhaps Americans have realized that their personal power is circumscribed by historical circumstances, and that their lives can be changed by outside forces.  Are they looking beyond the suburban, minimalist cul de sac?</p>
<p><strong>Cooke:</strong> Oh, yeah. I remember all these stories about men in some huge indescribable existential struggle. Just like anybody else, I read Philip Roth, and Updike, and Cheever, and Raymond Carver. Carver brought the class card to the table, but kind of relentlessly. And they’re very male, and they’re very much about their mortality, and the women are unreal. It’s such a breath of air that there are so many people telling weird, big stories from all around the world now.</p>
<p><strong>Rumpus:</strong> A few of those guys wrote great sex scenes. Richard Ford. That guy could make it new. Yours are very good, too. How do you write about sex?  I find it incredibly difficult.</p>
<p><strong>Cooke:</strong> I think it’s hard, too. With Daughters of the Revolution, I wanted to write a book that was partly about the sexual revolution, and I realized after a certain point that I had to write about sex. I wanted to explore the history of bad sex.</p>
<p><strong>Rumpus:</strong> That would be a great book title: The History of Bad Sex.  How do you do the research?</p>
<div id="attachment_194" class="wp-caption aligncenter" style="width: 310px"><a href="http://letterfrompointswest.com/wp-content/uploads/2011/12/bilde.jpg"><img class="size-medium wp-image-194" title="carolyn" src="http://letterfrompointswest.com/wp-content/uploads/2011/12/bilde-300x224.jpg" alt="" width="300" height="224" /></a><p class="wp-caption-text">Carolyn Cooke, author of Daughters of the Revolution</p></div>
<p><strong>Cooke:</strong> I did it very diligently, the way I do everything. (laughter) I had a certain amount of experience, which I brought to bear. I think it’s of service to the book, even if you’re not a realist. Because the way they look at sex changes over time. Your characters, I mean.</p>
<p><strong>Rumpus:</strong> So the actress does a nude scene if it&#8217;s artistically merited. Makes sense. I do see a common ground in your novel, despite its brevity, with the large canvas novels you’re referring to.  What are you reading now?</p>
<p><strong>Cooke:</strong> I’m reading nonfiction, because I’m interested in the intersection of sex and drugs and how drugs lubricated things in New England at a certain time. In fiction, I was just reading <em>The White Tiger</em> by Aravind Adiga and <em>Half of a Yellow Sun</em> by Chimamanda Ngozi Adichie. There are such giant stories that people from Africa or India are telling. Adiga does such a great job at showing multiple facets of a country but also telling a Dostoevskian story about a criminal. It’s literary and character-based but also doing this hard work of illuminating culture and society, and looking into the present and the future.</p>
<p>In English, there haven’t been these giant stories that try to explain a nation, explain these huge historic events, at least recently. I think of young people coming up, and feeling there’s this huge obligation to tell stories that haven’t been told before. But in some sense that’s what every novel does. Every novel has a lens that grabs at you.</p>
<p>From <em>Daughters of the Revolution</em></p>
<p><em><strong>But I remember God’s house as if my life happened there, as if it were my house.  I sifted through the pennies and the rolls of Tums on his bureau, examined his artifacts: the shaving brush and bowl, the Zippo lighter, the red pencils and hand sharpeners in the drawers of his black India-rubber desk, the row of khaki pants and hanging shirts and crumbly wool jackets in his closet and, toward the back, an old blue coat made of cheap wool, serge, with brass buttons, obviously not a coat that he would ever wear – too small, too effeminate, too cheap.  I put this coat on and wore it everywhere, waiting for him to acknowledge my audacity.  One day he looked up and saw me finally.  “Ha! Hup!” he said, and that was all.  In the coat I felt most like myself – ironic, disguised, dangerous.  What girl of some ambition does not in her formative years wear a coat two sizes too large for her?  When Mei-Mei and I left God’s house, he gave me the coat to keep; at least I took it with me.</strong></em></p>
]]></content:encoded>
			<wfw:commentRss>http://susanzakin.com/blog/uncategorized/is-nothing-sacred-carolyn-cooke-storms-the-last-bastion-of-male-power-prep-school/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
